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Daily Inspiration: Meet Diana Kersey

Today we’d like to introduce you to Diana Kersey

Hi Diana, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
My love of ceramics began unexpectedly as a child in Lubbock, Texas, when a backyard attempt at digging a swimming pool revealed a rich vein of clay. That discovery launched my artistic journey, leading to a BFA in Drawing (Texas Tech) and an MFA in Ceramics/Sculpture (Washington State University).

I now create clay works ranging from small studio pieces to large-scale public installations, characterized by a dynamic interplay of form, color, and translucent glazes. The opportunity to create public art for organizations like the City of San Antoinio, VIA Metropolitan Transit and the San Antonio River Authority has been incredibly rewarding, allowing me to share my work with the community. I also teach at Northwest Vista College and run Kersey Ceramics LLC, combining my passions for art and education.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
The path to becoming a working studio artist hasn’t been entirely smooth. Early in my career, the art world’s perception of clay as a “lesser” medium presented a significant hurdle. Galleries were often hesitant to represent my work, and building a following felt like an uphill battle. However, I’ve never doubted my ability to work with clay or solve artistic challenges.

The rise of social media has been transformative, enabling artists to connect directly with their audiences and build their own markets—a shift that has greatly benefited my career. I now cherish the relationships I have with my collectors, fostering a community that supports and values my art. This direct connection has not only been fulfilling but has also proven to be a more sustainable business model than relying solely on the traditional gallery system, especially for my studio pottery.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I’m a ceramic artist who creates both functional and sculptural pieces, ranging from intimate studio works to large-scale public installations. My work is characterized by a dynamic interplay of form and color, often employing translucent glazes to enhance the textural richness of the clay. While my practice encompasses diverse forms, I’m particularly known for my ability to integrate ceramic art into architectural and urban environments. I’ve created several significant public art commissions, and this aspect of my work is what I’m most proud of—the opportunity to share my art with a wider community and enrich public spaces.

What sets my work apart is a blend of factors: my mastery of clay, the unique application of my glazing techniques to create a distinctive aesthetic, and the successful integration of my art into the built environment. I’m also adept at collaborating with architects and urban planners, ensuring that my ceramic work complements and enhances its surroundings. Ultimately, I strive to create art that not only is visually stunning but also contributes to the narrative and cultural landscape of a community.

Any advice for finding a mentor or networking in general?
Finding a mentor and building a strong network are vital for any artist. For me, organically developing relationships has been key—genuine engagement and a willingness to collaborate are more effective than transactional networking. Many of my most valuable connections have arisen from simply engaging with people whose work I admire or whose expertise I respect.

A prime example is Carolyn Peterson, FAIA, Principal Emeritus at Ford, Carson, and Powell, whose informal mentorship began early in my career. Her continued support: purchasing my work, offering thoughtful comments, shared resources, and inspiring stories of her own journey as a pioneering woman architect, has been far more impactful than any formal mentorship program. This kind of genuine relationship, built on mutual respect and shared passion, demonstrates the power of authentic engagement—both giving and receiving support within the art and design community has helped me thrive as a working artist.

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